Once Upon A Time in the East: Ladytron in China
ExcerptA travelogue portrait following Ladytron across China — light, crowd and architecture cut into a single moving-image piece.
Jacqueline Passmore is an artist filmmaker and director working at the intersection of moving image, light and architecture. Her practice spans kinetic light installation, projection and live performance — work conceived for the scale of a building and the duration of an experience.
Her installations have been staged at Tate Modern — from bicycle-powered zoetropes that turn the audience into the engine of the work, to large-scale projection performances with collaborators including assume vivid astro focus and Ladytron. For Art on the Underground she created Underline, exhibited at The Photographer's Gallery.
Across the gallery, fashion and architecture — including collaborations with Fyodor Golan at London Fashion Week and projects with Zaha Hadid Architects — Passmore treats light as a material and the moving image as something to be inhabited rather than simply watched.
Commissioned for Art on the Underground and exhibited at The Photographer's Gallery — projected light reworking the visual language of the city's transport network into something luminous and strange.
A zoetrope powered by the audience itself — gallery-goers pedal stationary bicycles to drive a spinning ring of light into animation. The work only lives while the room participates.
A large-scale projection performance with assume vivid astro focus and Ladytron — saturated pattern and colour washing the architecture of the Turbine Hall in real time.
A collaboration with fashion house Fyodor Golan for London Fashion Week — blending digital projection with the live catwalk to reinvent the runway show as moving image.
Moving-image work made in dialogue with the forms of Zaha Hadid Architects — light and motion tracing the sweep of the architecture.
A travelogue portrait following Ladytron across China — light, crowd and architecture cut into a single moving-image piece.